“The EU Commission is currently preparing
to modernise EU copyright rules and any such effort
cannot deny young people coming into our industry
the chance to get properly paid for their work.”
Nick Mason, UK
"An unbalanced industry, whose workers are not
adequately protected, will fail sooner or later.
What we ask is to be able to participate
in the economic results of the works."
Javier Bardem, Spain
"The opportunity to make streaming payments equitable for the artists who record and perform the songs we all love is one giant step towards a savvier, more sustainable music industry.”
Fran Healy, UK
“We stand for the obvious:
democracy and justice on the web,
so we are entitled in a fair share
of our intellectual and cultural labour”.
Emilia Ypsilanti, Greece
"Performers all over the world start to be tired
of this unfair situation.
It cannot last much longer!"
Nacho Garcia Vega, Spain
"EU legislative action is urgently needed to guarantee
that all performers receive a fair remuneration
when their work is exploited online."
Janne Schaffer, Sweden
“We love to entertain you - let us!
Support the Fair Internet campaign”
Christopher Blenkinsop, Germany
Our latest News
Fair Internet partners support the Trilogue deal
THE FAIR INTERNET COALITION URGES DECISION-MAKERS TO CONFIRM THE TRILOGUE DEAL AND APPROVE THE COPYRIGHT DIRECTIVE AS A FIRST STEP IN THE RIGHT DIRECTION
Brussels, 18 February 2019
The FAIR INTERNET coalition representing over 500,000 musicians, singers, actors, dancers and other performing artists urges the Council and the Parliament to give their final approval to the compromise agreement reached at trilogue on the draft Directive on Copyright in the Digital Single Market. Chapter III of this Directive includes provisions that constitute a first, encouraging step in the right direction, as they seek to increase transparency on contractual relations and level up the remuneration initially agreed, often little more than symbolic, with subsequent revenues. Most importantly, the trilogue compromise establishes that the remuneration of performers must be proportionate to the revenues generated by the exploitation of their work and that lump sum payments are to be the exception, rather than the rule.
Today, most performers are not remunerated when their performances are exploited via streaming and downloading platforms such as iTunes, Spotify, Amazon Prime and Netflix. With little bargaining power, they often have no choice but to transfer all economic rights on those productions, in return for a one-off payment and regardless of how successful the exploitation is in the end. According to Article -14 of the draft Copyright Directive, performers must now receive appropriate and proportionate remuneration, including for online exploitation. When implementing this new provision in their national legal systems, Member States will be responsible for making sure that performers finally get a fair share of the revenue generated from the exploitation of their work. To this end, the Directive clearly says that Member States may rely on different existing or newly-introduced mechanisms, including collective bargaining and other mechanisms. The FAIR INTERNET coalition calls on Member States to achieve this aim by introducing into their national systems a right to remuneration for performers, paid by online platforms and subject to mandatory collective management.
The Internet is for everyone.
However, today, whether they are famous or not, performers are still not fairly rewarded when their performances are exploited via online on demand services. Most of them receive an all-inclusive fee at the time of the recording for all type of exploitation of their performances. Others receive an insufficient proportional remuneration.
You think that performers should get a fair share? Then get involved!
Support the FAIR INTERNET campaign, sign the petition, follow the campaign on social media and spread the word.
The EU is currently discussing the reform of the EU copyright legislation.
The FAIR INTERNET campaign is run by four international organisations representing over half a million performers in Europe (AEPO-ARTIS, EuroFIA, FIM and IAO). We believe that the concerns of over 500.000 performers should form part of this debate.
What do we ask for?
Together we call upon the European institutions to create a sustainable cultural and creative sector where performers get a fair share of online revenues, through an unwaivable remuneration right for digital uses of their work, collected from the users who make the performances available on demand and subject to mandatory collective management.
You can find more detailed information about the campaign under campaign kit
Pictures from campaign events (click image to view on flickr)